Everything You Need to Start Recording Music With Logic Pro X.
Jul 29, · Our Top Picks. Editor’s Choice: Akai Professional MPK Best value: Nektar Impact LX49+. Best MIDI Controller for Logic Pro X for experienced producers: Novation Impulse Best MIDI Controller for Logic Pro X for beginners: Alesis V Best MIDI Controller for Logic Pro X for piano players: Nektar Panorama P6. Jan 28, · Get the best MIDI keyboard controller for Logic Pro X with the help of our top picks reviews and buying guide! Categories. which comes in handy when the controller is utilized as a DJ keyboard. With six buttons and four knobs, the Alesis V49 is not a device suitable for extensive producing and mixing. Although, it shines in beat production /5. Jan 02, · Logic Pro X, which is in our focus today, is the 10th version of Logic Pro. In other words, Logic Pro equals Pro X. It costs $ to buy it for life, but also offers a free trial version of 90 days, which I advise you to take advantage of. Software Overview (Features) Logic Pro X is a smart choice for a DAW that will facilitate the.
Best MIDI Keyboard Controllers For Logic Pro X – Best MIDI controller for Logic Pro X reviews
Midi Nation is supported by our great readers. We might get a commission if you buy gear through a link on this page [at no additional cost to you]. Being able to access your nearly all your DAW controls in a single tap is a massive game changer. The control and intuitiveness a dedicated controller adds to your studio is unparalleled. But buying the best control surface for Logic Pro X isn’t easy.
So to help you out, we put together this detailed guide. A control surface isn’t a must-have for a bedroom producer, but it’s a powerful tool to have when you’re ready to upgrade to a more serious setup. It brings all essential controls to your fingertips, freeing you up from the awkwardness of multiple screens.
Hardware controls not only give you finer control over your DAW, but also give you greater creative freedom and flexibility. You might not find the best use of a control surface if you’re the only one in your home studio. But the moment you’re recording others — a band, other artists — you’ll find that a dedicated controller is almost a necessity. While most control surfaces work well with Logic Pro — it is one of the most popular DAWs in the world after all — there are some that perform better than others.
In this roundup of the best control surfaces for Logic Pro X, we’ll look at some of the top options you can buy right now. As with other guides, we’ve divided this into two parts. In Part II, I’ll cover the essentials you should consider when buying a control surface, as well as how to get the most out of your current setup.
His first experience with electronic music production dates back to Cubase 3. He lives in San Diego and freelances as a producer and part-time DJ. In the first part of this guide, we’ll do a deep dive into the top Logic Pro X control surfaces you can buy right now. To be more specific, we’ll look at the top controllers based on different requirements live performance, home studio, etc. Do keep in mind that like the rest of this website, these selections are aimed squarely at serious home producers who want to upgrade their skills and equipment.
With that caveat out of the way, let’s start by looking at our top choice for the best control surface for Logic Pro X in PreSonus, which makes some of my favorite amateur-targeted studio monitors, also makes a fantastically flexible control surface, the FaderPort. Affordably priced yet feature-rich, this control surface gives you immediate access to key DAW features at your fingertips.
A large volume control knob and a master fader let you control key parameters. And a small size means that it takes up little space on your desk. Great compatibility and robust build quality make it our best control surface for Logic Pro X for producers on a budget. It doesn’t clutter the unit with a gazillion buttons and screens.
It is specifically designed to be easy to use — and gets top marks for that. At the heart of the FaderPort is an innovative and highly satisfying degree encoder. Anything you need to move and select and draw and drag will be handled by this encoder. So it’s a good thing that the build quality on it is fantastic — it can take a beating, and then some more.
Complementing the encoder is a single mechanized fader. The fader is also touch sensitive — a feature often found missing in more expensive Logic Pro X control surface. If you’ve ever felt dissatisfied by your fades and automations, you’ll love using this fader — external hardware make it much easier to get fine control over your automations. Moving a mouse around feels hardly as intuitive as dragging a touch sensitive fader — and this one works wonderfully well.
The rest of the controls are designed around a single goal: to complement your keyboard-mouse, not to replace them. I appreciate this approach, especially since most producers are already used to the keyboard-mouse combo. Far too many control surfaces try to do everything and the kitchen sink, forcing producers to retrain their habits.
This unit recognizes that that is neither feasible nor desirable. Build quality is solid throughout. I particularly like the dimensions.
It’s small enough to take minimal space on your desk, yet not so small as to make the buttons and faders unusable. I prefer this smaller footprint over some of the larger control surfaces that take up too much desk space.
What’s left to consider is compatibility. Which is expected since they’re from the same brand. If you use Studio One, buying this control surface is an absolute no-brainer.
That said, you’ll find that the PreSonus FaderPort is also one of the best control surfaces for Logic Pro X, with tight integration out of the box. The buttons are a little hard to press. There are also reports of compatibility issues with the some versions of macOS Catalina. Recommended for: A powerful, capable, and most importantly, affordable control surface for home studios.
Excellent compatibility with most DAWs, a touch-sensitive motorized fader, and an excellent encoder make it one of the best control surface for Logic Pro X in Right out of the box, the sleek and compact design of the device is lovely to behold. The top panel comes in black matte while the rear has an orange hue.
The slim design makes it easy to move about with this surface control; it fits in a backpack easily and will be great for DJs that move around. On the top right of the device, there is a Send All button. South of this is the Solo button. Below the Mute button are the Record-Arm buttons. As per Akai standard, this control surface is of solid build. It feels strong and reliable to touch. The knobs are small but not so small that they’re hard to use. The entire unit itself is small enough to fit comfortably on a desk.
It’s also light enough that you can drop it into your gig bag and carry it around. The included software editor is powerful and intuitive enough that you can also customize the integration as per your needs. Although it does not have as many features as some other surface controllers on the list, it offers great value for the price. It lacks Device control, which I found to be a surprising decision from Akai.
The knobs might also feel a little small if you have large hands. Some users report issues with the lights not lighting up — even when the rest of the unit works fine. A small quibble has to do with the quality of Akai’s gel buttons. These gel buttons can be found on all of Akai’s lower-tier devices, from MIDI controllers to control surfaces, and it’s never a good experience using them. They feel sticky and not tactile enough.
Akai, if you’re reading this, please find better gel buttons on your devices! It is affordably priced and works great out of the box. Perhaps it’s not the most full-featured controller around, but if you’re looking for the best control surface for Logic Pro X on a budget, you’ll love this unit. With regards to their design, I found the Behringer X Touch to be a rather thick and clunky control surface. It is not as slim as many of the control surfaces I have tested. I’d even say that when placed on a desktop, you might have to raise your chair height an inch or two if you are sitting while operating it.
The height and thickness make it a tad uncomfortable reaching for the faders and make it hard to see the display properly while sitting. Despite the less than ideal thickness, this control device performs rather superbly, especially for serious producers.
Aside from the physical dimensions, the device has connectivity options galore. While testing, I connected the device to Logic. It offers a really stunning functionality level with all the faders, knobs and buttons.
The device supports the MCU protocol quite extensively. The transport buttons here feel really firm and sturdy and are very functional. For example, they have lights to show their current status. The jog wheel also enjoys this design feature.
That said, it is not as firm as the transport buttons and feels rather cheap and tacky. The large, chunky size, however, makes up for this lapse. One of my favorite features — something few control surfaces in this budget offer — is the small LCD scribble strips at the top of each channel fader. This instantly tells you which track or parameter you’re controlling. The standout feature for me, however, has to be the motorized faders.
It’s one of the rare control surfaces on the market with a whole array — nine — of motorized faders. As mentioned earlier, the interaction with Logic is one of the best features of this device. It has full support with Logic as well as other DAWs. Despite the integration with Mac OS, the lack of a Mac editor is jarring. The build quality is a little disappointing considering the price. The motors on the faders is tacky and feels liable to break.
The lack of customization options in the editor is also a letdown. Recommended for: Gigging musicians that have a home studio will find the functionality of this device quite ideal.
It’s also great if you want to move from a small home setup to something that’s more professional.